By mara elisa nocon ticzon 05.24.11













>>tod mclellan + last shot is from ‘The Shirt Off His Back’ featuring Adina Forizs by Damian Foxe <<
and out pops the weasel…..
—-
POP GOES THE WEASEL
Round and round the cobbler’s bench
The monkey chased the weasel,
The monkey thought ’twas all in fun
Pop! Goes the weasel.
A penny for a spool of thread
A penny for a needle,
That’s the way the money goes,
Pop! Goes the weasel.
A half a pound of tupenny rice,
A half a pound of treacle.
Mix it up and make it nice,
Pop! Goes the weasel.
Up and down the London road,
In and out of the Eagle,
That’s the way the money goes,
Pop! Goes the weasel.
I’ve no time to plead and pine,
I’ve no time to wheedle,
Kiss me quick and then I’m gone
Pop! Goes the weasel.
…that weasel be androgyny
xxx
By mara elisa nocon ticzon 05.21.11
By mara elisa nocon ticzon 05.14.11





















>>cream of the cream: 22/40<<
`CODONA ́
Autumn/Winter
2011/12
this time the strting point + inspiration of the collection originates from Don Cherry’s album ‘Codona’ recorded with fellow musicians Collin Walcott and Nana Vasconcelos. Here, band members used the first two letters of their names to create the album title.
for this collection, the Japanese words Otona (Adult) and Codomo (Child) are combined to create the word ‘Codona.’ The Codona collection refers to the adult who retains the curiosity, the openess and the playfulness of a child without hte prejudice learnt in later life. the collection is variable and playful but mature at the same time. It shows variations of inside out and upside down, playing with forms and colors while leaving the wearer freedom to experiment.
Who?
Svenja Specht – a product and fashion designer and creator of Reality Studio (founded in 2005) with previous experiences worknig worldwide in Paris, Cologne, and Beijing. She now lives and works in Berlin.
What?
Women’s wear. Signature pieces from AW10/11 include: transformable zip jackets and trousers, variable press button wraps in strong colors, reversible coats, playful accessories.
Why?
Keeping the child in us alive.
— 4th from bottom….SUBLIME —
xxx
+ oh those quilted trousers.…voulez vous coucher avec moi ce soir
Voulez vous coucher avec moi..
By mara elisa nocon ticzon 05.05.11







>>brooches + bows + reindeer skin + silver + calfskin + attraction-tension-repulsion + 18th C + butterflies + goatskin + nylon thread + gold <<
THE WORD • P • E • R • F • O • R • A • T • E • D • COMES TO MIND
ο hats off to märta mattsson ο
ο she is from sweden ο
ο right here, right now, is the place to be trigger happy so click click click ο
ο her work inspired a new japanese word: KimoKawaii which is a combination of two words kawaii (cute) and kimoi (disgusting) ο
ο she dropped anchor at the Royal College of Art, School of Design and Crafts, Rhode Island School of Design, Hiko Mizuno College of Jewelry, Hawaii Pacific University + Hantverk och Design på Nääs fabriker ο
THE NEXT WORD IS
♥ B I Z A R R E ♣
xxx
By mara elisa nocon ticzon 05.01.11










































>>chaotic excess + pockets of space + photomontage + stiff, clean-cut edges + woahhh<<
kay khan, such a hero….CLEARLY, i can not get enough.
you know you want to click here
i copy/pasted her statement, because i could not have articulated her aesthetic any better:
“
My work is a mosaic of fragments, collected experiences, information, and images. This mosaic is both ideological and visual. I like to begin with an idea that I allow to develop unhindered to encompass anything from the serious to the absurd. No thought is isolated and the simplest can build upon itself. Layers of connected thoughts revealed in a succession of images link and multiply in evolving variations. In my recent work, for example, I sometimes begin with just a word, but already this word comes with many meanings and connotations. Then I make a connection, a thin bridge, between each word and its images, and other perhaps abstract and veiled yet related ideas. My artworks are often labyrinths of intricate wordplay. I want the words to be read as fleeting and visual impressions that interact with the other stitched images. The figures in my work in combination with the words form a running commentary.
In the Armor and Facade series, I want to “armor” modern society. These artworks are about how we protect and present ourselves. I begin with simple ordinary ready-made garments that I deconstruct; armor with quilting, imagery, and text; and then rebuild. Garments have their mundane yet necessary purpose to protect us from the elements. But they are obviously more than that in every society. They are our “decoration”; they express and reflect who we are as individuals and as a culture.
”
xxx
+ there’s a lecture/workshop from aug 2-7 2011……more infooooo right here